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Mary Crowell's Patreon: Year One

by Mary Crowell

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    'Mary Crowell's Patreon: Year One' is a collection of almost all Mary Crowell's Patreon projects from her first Patreon year (May 2015-May 2016).

    IMPORTANT JUNE PROMOTIONAL OFFER: Mary Crowell's patrons on Patreon each received a download code for 'Mary Crowell's Patreon: Year One'. If you pledge her Patreon page sometime during the month of June 2017, she will send you a free download code for this album. http://patreon.com/drmaryccrowell

    Also, if you pledged Mary's Scattering Seeds on the Pomegranate Tour Kickstarter in 2016 and received a flash drive then you already have everything in this album. So, please don't buy it unless you are just doing it to be supportive. (However, one new thing about this album is that the two 2015 convention concerts are broken up into individual song tracks.)

    Note: this album does not include a set of improvisations Mary made with Scott Snyder in January 2016 (because those are half Scott's) and it doesn't include her jazz cover of "Ain't No Rest for the Wicked" because that is a cover. (The cover song will be made available later through Loudr and CDBaby.)
    ... more
    Purchasable with gift card

      $10 USD  or more

     

  • Full Digital Discography

    Get all 11 Mary Crowell releases available on Bandcamp and save 25%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Mary Crowell's Patreon: Year Six, Mary Crowell's Patreon: Year Five, I Have Missed You at My Table, Mary Crowell's Patreon: Year Four, Mary Crowell's Patreon: Year Three, Mary Crowell's Patreon: Year Two, Mary Crowell's Patreon: Year One, Scattering Seeds on the Pomegranate Tour, and 3 more. , and , .

    Purchasable with gift card

      $81 USD or more (25% OFF)

     

1.
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© 2007 by Mary Crowell. I’m going dancing with the Devil of Stories. I’ve got a date with my destiny. It may be tragic, but it never seems boring, Brings out the worst and the best in me. This is a story for the darkest ambitions. It is a tale of vanity. Two foolish lovers, and some hasty decisions, A little sex, and insanity. CHORUS Take a look inside his journal; Ballads, odes, and epigrams Got me hooked. I’m his eternal – An elegy and a slaughtered lamb. He’s been a schemin’; he’s a demon of reason. He’s misery, and I’m his biggest fan. I keep on singing to the tunes that seem pleasin’, ‘Looks like I’ll dance though, at his command. I’ve read the writing, and resisting is futile. I’m going down in history. We’ve hit the deadline, and the editing’s brutal. Well, win or lose, it’s his victory. CHORUS I’m only crying ‘cause the story is ending. The world I’ve known will be torn apart. He’s smiling somewhere as realities bending. The devil’s safe from a broken heart. Repeat Verse I [Footnote: Moxie won the duel with Mathias. But as it turned out that was the last requirement for his ascension to semi-divinity. In Wesley's Red Board Meta-campaign) Mathias is the Devil of Stories. His main domain is the cruelty of narrative.]
3.
Scattering Seeds on the Pomegranate Tour Copyright 2013 by Mary Crowell Intro: Mmm Mmm Peppermint Ladies Mmm Mmm Peppermint Love!] X2 Verse: Scattering seeds on the Pomegranate Tour Niflheim, Hades will love us all for sure Peppermint Ladies both wicked and demure All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Formerly known as Persephone Dear Flowers won’t keep her, nor mother’s nagging tears. Peppermint Ladies will buy her time and beers, All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Bridge 1: Gala-te -a has got up and left (got up and left) Tired of be -ing perfect. Her Pyg-ma-lion his chisel in hand, Standing bereft. She's signing all our concerts with ivory hands On a pedestal, watch her show a tale, sit a spell. Love, Love, Love, Peppermint. Peppermint, Peppermint, Peppermint Love! Verse: Scattering seeds on the Pomegranate Tour Muses and mythical entrepreneurs, Peppermint Ladies, display haute couture All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Weaving our costumes Arachne has a loom. Sweet Ariadne will lure you to your doom. Peppermint Ladies have trashed their locker room All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Bridge 2: Now Hel is other people on stage (people on stage) Tired of be -ing normal People want to go out with a sword, Killed in a rage If only they could see there’s no victory, Live it happily. Older people have mystery. Love, Love, Love, Peppermint. Peppermint, Peppermint, Peppermint Love! Verse: Echo runs sound on the Pomegranate Board, Mistress of reverb, no longer ignored. Peppermint Ladies she’s loved and adored All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Bridge 3: [Don’t sing. Play instrumental instead.] Idunn’s come to travel with us (She caught a bus!) Tired of ne -ver leaving. Folks at home always keeping her safe, making a fuss. Her apples are so sweet, and they keep us young. Praises we have sung; slip a little tongue; she’s among Love, Love, Love, Peppermint. Peppermint, Peppermint, Peppermint Love! Verse: Scattering seeds on the Pomegranate Tour Niflheim Hades will love us all for sure Peppermint La-dies both wicked and demure All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Outro: Mmm Mmm Peppermint Ladies Mmm Mmm Peppermint Love!] X2
4.
Fairest of the Them All Copyright 2012 by Mary Crowell You woke me up from a happy ever after. “Wakey wakey to a true love’s kiss.” My dreams full of red apples, love, and laughter.” Why do prizes always end up this? The rose is red, but the thorns they would protect me, Their praises always go unsung. Sleeping safe though outside the briars are bleeding All alone, but I’m forever young. Chorus: Apples, jealousy, and sleep, Roses, mirrors, and secrets deep. When I dream, I dream and weep. I dream I’m the Fairest of them all. How ‘bout them? Yes, Honey. How about them apples? Lose the race and then a lioness be. Golden skin. See the beauty of reflection Taste it sweetie, immortality. Chorus Bridge: Happy Ever After? Happy Ever After? Then why am I so sad? Happy Ever After? Happy Ever After? Dammit! Why am I so mad? And Ev’ry girl is a gleaming, golden goddess. Every goddess is a lovely mess. Discord’s prize, Poor ol’ Paris picked the hottest. Stole his Helen, Aphrodite bless. Chorus X2 [Then] I dream I’m the Fairest of them all.
5.
Pandora's Box Copyright 2009 by Mary Crowell I heard you sneaking up in dirty old socks There's evil things inside that basket. I'll need a safe -- I'll need a door that locks. Keep your greedy little fingers off Pandora's box. [Piano echoes last line.] Chorus: I'll put her treasure out of reach Although you beg and bribe, beseech. There's only one way I could teach You not to open the box, [Piano echoes previous line.] And that's to let you Which I will not do. Keep your greedy little fingers off Pandora's box. [Piano echoes last line.] [Instrumental Interlude] Verse 'Thought I should say, before you went too far, There is a reason for that casket. You say you met her in Olympus Bar? Keep your sticky little fingers off Pandora's jar. Chorus Does songs of love and plays the flute, She thinks your goatee looks so cute; I know you wish I were a mute. Please, friend, don't open the jar, Your lovely houri's Vengeful dowry. Keep your sticky little fingers off Pandora's jar. Verse "Perhaps a quiz," you say, "A lover's test?" "There is no need to blow a gasket." I won't give up until I've been a pest. Keep your roving little fingers off Pandora's chest. Chorus You asked her "Please?" and she said "Nope." You disobey, we lose all hope. Find some distracting way to cope. No need for grabbing the chest. I've mentioned nightly. I've asked politely, Keep your roving little fingers off Pandora's chest. [Reprise First Verse] Keep your sticky little fingers off Pandora's jar. Keep your roving little fingers off Pandora's chest. Keep your greedy little fingers off Pandora's box.
6.
Massacre Anne © 2011 by Mary Crowell We are riding ‘cross the desert On a mammoth post-apocalyptic For the path is most Vile, And the visions kind of cryptic. Sun isn’t set, But it’s getting quite ecliptic We’re stalking an angel in style. We are fleeing ‘cross the desert With a wicked lord of necromancy Oh, his art is most vile Making zombies for his fancy Opened a door Now his future’s kind of chancy Darkness is spreading for miles. CHORUS I feel a cloud over me. Are those zombies I see? And that priest, is he losing his soul? Well, I’m Massacre Anne, and I do what I can To bring the Master back living and whole. Living whirlwind in the desert The familiar to beloved master Saw an Angel most vile Slay the wizards, cause disaster. Death from the air Elemental and much faster Revenge keeps him here for awhile. BRIDGE The Master’s been taken, and now I’m alone His rings on my fingers, his Mark in my bones. CHORUS There’s a secret in the desert He’s a priest of guile and elocution But deception most vile Caused his wrongful prosecution. Events have conspired To delay his execution; He’s only beginning his trials. Keep a paper in the desert It’s a list of those who needed killing. But that angel most vile Made my missions less fulfilling, Stolen my thrills. For my Master I’m willing To stalk this dark angel with style. BRIDGE Mammoth and mutants and we curs-ed four Villains kill villains to settle the score CHORUS (Extra Chorus) And there’s no more forgiving ‘tween the deadly and the living And my sword is a Will of his own. Well, I’m Massacre Anne, and I do what I can To bring the Master back flesh, soul, and bone, To bring the Master back living and whole, To bring the Master back flesh, bone, and, soul.
7.
Runner Five Copyright 2014 by Mary Crowell Almost done with Season One, next mission on the list! Nothing interrupts the run: on that I do insist. I fiddle with my earbuds; check the laces on my shoe. I need another gear to get my farm to level two. For Abel I’ve been running—Abel Township, that’s the place. Find supplies and get resources, ‘cause I’m building up my base. My pace is getting faster as I run most ev’ry day, Listening to the runners getting bitten, going gray. [Optional Last lineX2] Chorus: I’m Runner Five. I am staying alive, So my town can survive. I can run, so I run for my Abel. Running and running for Abel Town. Faster so zombies won’t chase me down Running and running for Abel Town. My helicopter crashed right outside of Abel Town. A rocket launcher shot it—brought my transportation down. And worse it fell a place where flights of zombies like to roam. A zombie Runner Five named Alice chased me to my home. I’m wearing her old number with her backpack on my back Listening on the radio to Eugene and to Jack. Apocalypse is recent. There are sports bras to be found, Chipotle apps, and ammo lying thick upon the ground. Chorus I’ve cried with Doctor Myers, and I might be sweet on Sam. That Runner Eight won’t trust me, but I do not give a damn. I’m useful for the intel and supplies that I can bring. As Runner Five I listen, but I never say a thing. And I really hope that Jodi (Runner Four) will get to live. She likes knitting, and she’s careful. Her death, I won’t forgive, But runners do get bitten. There’s a cough and then a moan. A cure for going gray is alas, a thing unknown. Chorus Bridge: I’m not ready to die— Hope is in good supply; On my missions I fly; We need food on the table. And I’m Runner Five; There is no doubt that I’ve Got the heart and the drive I run fast, for my Abel. Faster so zombies won’t chase me down Running and running for Abel Town. There are many Runner Fives avoiding zombies while they run, Many of them geeks like me discovered that it’s fun. It’s cool to check your numbers, see your route upon the map. I might be just a little bit addicted to this app. Chorus plus two lines below Faster so zombies won’t chase me down Running and running and running and running for Abel Town!
8.
Goliards Copyright 2013 by Mary Crowell Carried on legs made from iron and from magic Fleeing the towns with the flu hemorrhagic Here we go…., Here we go…… Here we go, goliards. We are a school and museum and a brain trust Our world is dying and scholars we fain must Live like crows, live like crows, live like crows, goliards. Chorus: Scholars, Engineers, and Bards, Wand’ring the remnants and shards Goliards. Machines and people working hard. Gears click and whir as the golems repair it. Wiring kept safe by the cats and the ferret Still we slow, still we slow, still we slow, goliards. Wander the world in a time capsule lonely, Remember how it was like in the only World we know, world, we know, world we know, goliards. Chorus Musicians sing the perfection to move chains. Technicians keep people young ‘til rejuv drains Fail to flow, fail to flow, fail to flow, goliards. Suit up and teach, then move on to the next town. We flee from fools with their guns and their gold crowns, Glowing snow, glowing snow, glowing snow, goliards. Chorus X2
9.
I Put My Low Stat © 2007 by Mary Crowell I put my low stat in charisma. ‘Don’t have no sex appeal. I want to play the fighter, So I can maim and kill. ‘Live like a monk, ‘Cause I’m no hunk. Baby, what’s the deal? I put my low stat in charisma. I put my low stat in my wisdom. I think I’ll play the thief. Got a lot of skill points; They bring me no relief. I failed my save -- Charm Person’s slave. Now I’ve come to grief. I put my low stat in my wisdom. I put my low stat in -- can’t spell it. But, I think it means you’re smart. I rolled up a barbarian, And he’s a work of art. Don’t call him ‘clown.’ He’ll hold you down, And on your head he’ll fart. I put my low stat in -- can’t spell it. I put my low stat in dexterity. I’ll play an armored priest. When we all roll initiative I always have the least. ‘Can’t save at all Against fireball. Now I am deceased. I put my low stat in dexterity. I put my low stat in my strength score, And I can’t hit a thing. I thought I might just be okay If I had magic bling. No vorpal sword, And god, I’m bored! I miss on every swing! I put my low stat in my strength score. [Syncopated vamp to prepare] I put my low stat in constitution. Now I’m always sad. I usually go unconscious, Which makes the cleric mad. My blood won’t clot; ‘Got mummy rot; ‘ Eyesight’s really bad. I put my low stat in constitution. I don’t know where I’ll put my low stat. It’s only seventeen. I wonder why the other guys Have started turning green. You think they’d be So glad for me. Instead they’re really mean! I don’t know where I’ll put my low stat. I don’t know where I’ll put my low stat. ‘Think all the rolls were shit. My dungeon master thinks it’s fun To irk me just a bit. “No class will work,” I told the jerk. “Well, you could always quit!” I don’t know where I’ll put my low stat. [Spoken] I know where YOU can stick that low stat!
10.
Patchwork Cliché Copyright 2007 by Mary Crowell “Gather ye rosebuds while ye may,” They said that when I was young. Mine is the body taken today Cut from the ropes where it hung, it hung. Cut from the ropes where it hung. “Why buy the cow if milk is free?” Her mother would scold her and cry. She didn’t hear her mother or me. He stabbed her and left her to die, to die. He stabbed her and left her to die. Chorus: The arms of her killer, Brain of her lover, She I’ll remember And never recover. I am a patchwork – Betrayer, betrayed; Of both the bereaved And a murderer made. “Never a woman shall you trust,” I heard from my Pa as a girl. I loved her truly. He killed for lust And took from me my only pearl, pearl. And took from me my only pearl. “Dead men are silent. They carry no tales,” They said as they looked hard at me. The men and the women in funeral veils. They wouldn’t believe it was he, was he. They wouldn’t believe it was he. Chorus “In for a penny; in for a pound,” I told him as I came to call. He’d left her bleeding, clutching the ground. I shot him dead by the wall, the wall. I shot him dead by the wall. “Tooth for a tooth, and an eye for an eye,” They said. Then I ate my last meal. My body just placed in the grave to lie Was there for the scientist to steal, to steal. Was there for the scientist to steal. Chorus “There is a monster inside everyone,” They’ve said this. I’ve heard it before. Fool of a doctor can’t know what he’s done. The mind and the arms are at war, at war. The mind and the arms are at war. “Death is an ending for body and mind,” I’ve heard, “And the soul -- it departs.” I and my enemy’s fates intertwined. The doctor cares naught for my heart, my heart. The doctor cares naught for my heart. Chorus
11.
Sing Along Chorus Copyright 2013 by Mary Crowell Chorus: A Sing along chorus With verses not too long Is the only hope for us To get through this song. We can ‘ooh’ along with verses And ‘ah’ along with bridges. That will help us get along With not too many fidgets. Verse I am sitting in a concert While my backside’s getting sore. And when this performance ends The program says there’s seven more. I’ve been listening quite politely With my knitting in my lap. At the end of every singing I make sure and loudly clap. But I don’t think I can pretend That I will still be living at the end. What can save me? Chorus Bridge: Ah ah ah ah! You can’t leave this room. Ah ah ah ah! Many chairs have blocked you in, Ah ah ah ah! It will be your tomb. Ah ah ah ah! What can save you? Chorus There’s a whispered conversation And it cannot be ignored. Some people sat here far too long, And they have gotten bored. Since strangulation’s murder, And prison I would rue. It would also be too messy; My guitar strap is brand new. But I don’t think I can pretend That they will still be living at the end. What can save them? Chorus X2
12.
Jazz & Mai (Raven May Waltz) Copyright 2013 by Mary Crowell A clarinet and an upright bass, My pretty girl with her borrowed face, We’re dancing close, and I kiss her hair—smell Cotton candy ashes—we’re a perfect pair. I love my Daye—we dance at night, Close our eyes, and we cuddle tight. The music swells—we hear the strings. I’ll hold her close in mid- night wings. Chorus: O Love, let’s dance! We live with hope, so never fear to fly. Omens are a second chance. And symbols never die. Bridge: We dance ‘til the dawn that destroys all lies, Dance to our heart’s content- ment. Pandora plays her music box—Waltz Round and around in a cir- cle. Chorus My barefoot girl in her velvet dress I fear for her--I must confess Her amber eyes may close for good. There are those who’d hurt us—if they could. My darling raven, come what may. I’ll love you always—night or day. Though powers old pull puppet strings My mem’ries full of little wings. Chorus [2X] And symbols never die. And symbols always lie.
13.
Remember Mister Copyright 2009 by Mary Crowell Verse Remember Mister, when you court her, It’s getting cold. The days are shorter. I’m having trouble painting rainbows – My palette’s gone to gray; So little left of day, And Winter’s coming for your vain rose. [Instrumental Interlude] Verse Some people like to blame the season Ask why their lovers’ hearts are freezin’. The shadows here are growing stronger. The artist sees at noon That night is coming soon. We’re only here a little longer. Chorus: Gather up your rosebuds, and enjoy your day! Scatter all the petals behind. The pinks and blues of summer will be going away – They flee the winter, unkind. Verse I think I’ll take a little nap here. I’m waiting for the spring to snap, dear. It’s just the outlines I’ve been inking But colors run and fade; They flee before the shade. The ruddy sun outside is sinking. [Instrumental Interlude] Chorus Verse The spring is cruel and not forgiving, But still she lets me know I’m living. Remind myself when it is colder It’s important that we learn That summer will return And just as warm when we are older. Reprise First Verse Winter’s coming for your vain rose. Winter’s coming for your vain rose.
14.
Zombies in June Copyright 2015 by Mary Crowell Verse One: I took a little gamble When the graveyards I would ramble In the month of June. (Dooby Doo) I found it real surprising When the dead— they started rising At the crack of noon. (Doobity Doo) The zombies started singing And the church bells started ringing ‘Cause the end time’s soon. (Dooby Doo) Now it’s hot in Alabama As I groan and moan and shamble Sing this little tune. (Doobity Doo) Chorus: Zombies in June Zombies in June Maybe disease Or cold ancient runes Made us zombies in June Humming a tune Singing, “Brains, brains, brains!” Verse Two: It’s hot here in this season, ‘Though the evening’s rather pleasin’ In the month of June. (Dooby Doo) And it’s really kind of funny How I miss my tea with honey At the crack of noon. (Doobity Doo) Now we walk around decaying Though inside I hear them praying ‘Bout the end time’s soon. (Dooby Doo) Done with allergies and sneezin’ But there’s still a little wheezing.’ When I sing this tune. (Doobity Doo) CHORUS Bridge: Zombies kill all of us Make quite a meal of us Skin they might peel from us. Just for the thrill of us. Then, the zombies will sing . . . CHORUS (Twice)
15.
City of Doors © 2007 by Mary Crowell Come in. Come in! Come into the City of Doors, of Doors. Stick around the city; you have time to explore. You can’t leave by the way you came in. Come in. Come in! Come into the City of Doors, of Doors. Saints rubbin’ shoulders with the lowest of whores. They can’t leave by the way they came in. If you crack a door open who knows where you’ll be? With your best friend or your worst enemy? Sooner or later you may find your Connect. It’s in the place that you least expect, so Come in. Come in! Come into the City of Doors, of Doors. Dark angels winkin’ while the beggars implore. They can’t leave by the way they came in. [Instrumental] There’s a little old man a-keeps watch with a drum, Plays it all day, and he plays with his thumb. ‘Searching; he’s looking for the door to go home. Now it’s the place he’s content to roam. So, Come in. Come in! Come into the City of Doors, of Doors. You’ve traveled farther than you’ve ever before. You can’t leave by the way you came in. [Instrumental] When the little old man a’ Wandered down here, ‘Found our fine bar, and he Ordered a beer. Sang us a song and said his Name was Bernard. ‘Smiled as he tipped; then he Gave his card. So, Come in. Come in! Come into the City of Doors, of Doors. You listen close! He’s a master of lore. He can’t leave by the way he came in. [First verse Reprise]
16.
I Put My Low Stat © 2007 by Mary Crowell I put my low stat in charisma. ‘Don’t have no sex appeal. I want to play the fighter, So I can maim and kill. ‘Live like a monk, ‘Cause I’m no hunk. Baby, what’s the deal? I put my low stat in charisma. I put my low stat in my wisdom. I think I’ll play the thief. Got a lot of skill points; They bring me no relief. I failed my save -- Charm Person’s slave. Now I’ve come to grief. I put my low stat in my wisdom. I put my low stat in -- can’t spell it. But, I think it means you’re smart. I rolled up a barbarian, And he’s a work of art. Don’t call him ‘clown.’ He’ll hold you down, And on your head he’ll fart. I put my low stat in -- can’t spell it. I put my low stat in dexterity. I’ll play an armored priest. When we all roll initiative I always have the least. ‘Can’t save at all Against fireball. Now I am deceased. I put my low stat in dexterity. I put my low stat in my strength score, And I can’t hit a thing. I thought I might just be okay If I had magic bling. No vorpal sword, And god, I’m bored! I miss on every swing! I put my low stat in my strength score. [Syncopated vamp to prepare] I put my low stat in constitution. Now I’m always sad. I usually go unconscious, Which makes the cleric mad. My blood won’t clot; ‘Got mummy rot; ‘ Eyesight’s really bad. I put my low stat in constitution. I don’t know where I’ll put my low stat. It’s only seventeen. I wonder why the other guys Have started turning green. You think they’d be So glad for me. Instead they’re really mean! I don’t know where I’ll put my low stat. I don’t know where I’ll put my low stat. ‘Think all the rolls were shit. My dungeon master thinks it’s fun To irk me just a bit. “No class will work,” I told the jerk. “Well, you could always quit!” I don’t know where I’ll put my low stat. [Spoken] I know where YOU can stick that low stat!
17.
Fairest of the Them All Copyright 2012 by Mary Crowell You woke me up from a happy ever after. “Wakey wakey to a true love’s kiss.” My dreams full of red apples, love, and laughter.” Why do prizes always end up this? The rose is red, but the thorns they would protect me, Their praises always go unsung. Sleeping safe though outside the briars are bleeding All alone, but I’m forever young. Chorus: Apples, jealousy, and sleep, Roses, mirrors, and secrets deep. When I dream, I dream and weep. I dream I’m the Fairest of them all. How ‘bout them? Yes, Honey. How about them apples? Lose the race and then a lioness be. Golden skin. See the beauty of reflection Taste it sweetie, immortality. Chorus Bridge: Happy Ever After? Happy Ever After? Then why am I so sad? Happy Ever After? Happy Ever After? Dammit! Why am I so mad? And Ev’ry girl is a gleaming, golden goddess. Every goddess is a lovely mess. Discord’s prize, Poor ol’ Paris picked the hottest. Stole his Helen, Aphrodite bless. Chorus X2 [Then] I dream I’m the Fairest of them all.
18.
Courting My Muse Copyright 2003 by Mary Crowell Verse 
There is a tale of a man who got to listen to 
Songs of the sirens. He lived through the day. 
And I---- I wanna be that man. There is a tale of a man who got to visit with his 
Love down in Hades through the power of his Song. And I---- I wanna hear that man. Chorus 1 I cast my rose petals under your shoes. I’ll serve you sips of the sweetest of juice. Nothing’s too much when I’m courting my muse If you’ll sing------ to me.
 Verse 
I am the sort who would think it worth the danger to lay Down on the crossroads, to hear the Fairies sing, And stay---- for a year and a day. 
The song's the bait that is always proven Fatal, helps The man find his mate, or leaves my mind a crazy state And long----ing for the Sing of that Song. Chorus 2: I hear the magic that music imbues In notes you sing and the rhythm you choose. I fall in love when I’m court-ing my muse, When you sing------ to me. [Instrumental] Bridge 
Euterpe, Calliope, 
Thalia, Terpsichore, 
Clio, Melpommene, Erato, and Urania, 
Polyhymnia! 
And you are number ten. Oh, play some music! Calm my savage beast! Make it Roar down the mountain. ‘Wanna live inside the sound! I love---- the tune that takes me above. Oh, carry me to a place within my dreams! Make me Hunger for modal strains—sweet harmonies. Your song---- brings me to my knees. Chorus 2 When you sing------ to me. 
There is a tale of a man who got to listen to 
Songs of the sirens. He lived through the day. credits
19.
Jazz & Mai (Raven May Waltz) Copyright 2013 by Mary Crowell A clarinet and an upright bass, My pretty girl with her borrowed face, We’re dancing close, and I kiss her hair—smell Cotton candy ashes—we’re a perfect pair. I love my Daye—we dance at night, Close our eyes, and we cuddle tight. The music swells—we hear the strings. I’ll hold her close in mid- night wings. Chorus: O Love, let’s dance! We live with hope, so never fear to fly. Omens are a second chance. And symbols never die. Bridge: We dance ‘til the dawn that destroys all lies, Dance to our heart’s content- ment. Pandora plays her music box—Waltz Round and around in a cir- cle. Chorus My barefoot girl in her velvet dress I fear for her--I must confess Her amber eyes may close for good. There are those who’d hurt us—if they could. My darling raven, come what may. I’ll love you always—night or day. Though powers old pull puppet strings My mem’ries full of little wings. Chorus [2X] And symbols never die. And symbols always lie.
20.
Storm of Vengeance Copyright 2009 by Mary Crowell It’s summer time, and the nights are wet. You know that I do not forget The promise made to me By the apple tree. Pay up, pay up, your debt! It’s raining now – does his vision dim? You know that I’m so close to him. The creek is getting high, And I never lie. Get in, get in, and swim. Chorus: Woke the spirit up of vengeance With your angry song, Promised me a piece of you With every wrong. The creek is rising higher Near the apple tree. C’mon, c’mon, with me! They laughed at you and your angry tears. You bade me silence all their jeers. Did every wicked task That you thought to ask. The time, the time, it nears. You’re calling me by the Corvo Creek. You shout three times – it’s me you seek. You’re begging now in rhyme For a little time, Your voice, your voice, it’s weak. Chorus Was winter time when you caught his eyes. He fights me now – your soul to prize. Your struggles are in vain ‘Gainst the wind and rain Now choose, so, choose, who dies! Last summer time you called on me, Was raining then – you could not see That trouble always finds You when your anger blinds. Pay up, pay up, my fee! Chorus X2 C’mon, c’mon, with me! C’mon, c’mon, with me!
21.
Legolas © 2002 by Mary Crowell. I like to watch him on the silver screen. ‘Built like I like ‘em, he is long and lean. Yes, he is, And I am his. ‘Gotta thing for an elf, can’t help myself, O Legolas! He’s not a talker, likes to use his bow To good advantage on his orcish foe. Yes he does, And I’m in lust. I just love pointy-ears, don’t care who hears me, Legolas! INTERLUDE The Ring is s’posed to find ‘em And in the darkness bind ‘em. I don’t wanna lie to you. There’s just one precious thing that is needing a fling. It’s Legolas! I’m just a’ sittin’ here all by myself. I’m thinking naughty thoughts about this elf. Yes, I am. ‘Don’t give a damn! Gotta thing for this shy, tall, elven guy, O Legolas! There’s those who argue ‘bout the movie’s plot. Because of time, the film left out a lot. Bombadill is not my thrill. I’ll just sit here and stare at his long blond hair, O Legolas! INTERLUDE This girl I know likes Strider, And no. I won’t deride her. But she can have her Aragorn. The return of the king, won’t inspire me to sing Like Legolas! I like to watch him on the silver screen. ‘Built like I like ‘em, he is long and lean. Yes, he is, And I am his. ‘Gotta thing for an elf, can’t help myself, O Legolas! credits from Courting My Muse, released May 7, 2007 Music and Lyrics by Mary Crowell Copyright 2002 by Mary Crowell Dedicated to Blair Holley and her crush Mary CrowellL Vocal and Piano George Powell: Bass Greg Robert: Percussion David Rood: Trumpet
22.
Goliards Copyright 2013 by Mary Crowell Carried on legs made from iron and from magic Fleeing the towns with the flu hemorrhagic Here we go…., Here we go…… Here we go, goliards. We are a school and museum and a brain trust Our world is dying and scholars we fain must Live like crows, live like crows, live like crows, goliards. Chorus: Scholars, Engineers, and Bards, Wand’ring the remnants and shards Goliards. Machines and people working hard. Gears click and whir as the golems repair it. Wiring kept safe by the cats and the ferret Still we slow, still we slow, still we slow, goliards. Wander the world in a time capsule lonely, Remember how it was like in the only World we know, world, we know, world we know, goliards. Chorus Musicians sing the perfection to move chains. Technicians keep people young ‘til rejuv drains Fail to flow, fail to flow, fail to flow, goliards. Suit up and teach, then move on to the next town. We flee from fools with their guns and their gold crowns, Glowing snow, glowing snow, glowing snow, goliards. Chorus X2
23.
Scattering Seeds on the Pomegranate Tour Copyright 2013 by Mary Crowell Intro: Mmm Mmm Peppermint Ladies Mmm Mmm Peppermint Love!] X2 Verse: Scattering seeds on the Pomegranate Tour Niflheim, Hades will love us all for sure Peppermint Ladies both wicked and demure All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Formerly known as Persephone Dear Flowers won’t keep her, nor mother’s nagging tears. Peppermint Ladies will buy her time and beers, All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Bridge 1: Gala-te -a has got up and left (got up and left) Tired of be -ing perfect. Her Pyg-ma-lion his chisel in hand, Standing bereft. She's signing all our concerts with ivory hands On a pedestal, watch her show a tale, sit a spell. Love, Love, Love, Peppermint. Peppermint, Peppermint, Peppermint Love! Verse: Scattering seeds on the Pomegranate Tour Muses and mythical entrepreneurs, Peppermint Ladies, display haute couture All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Weaving our costumes Arachne has a loom. Sweet Ariadne will lure you to your doom. Peppermint Ladies have trashed their locker room All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Bridge 2: Now Hel is other people on stage (people on stage) Tired of be -ing normal People want to go out with a sword, Killed in a rage If only they could see there’s no victory, Live it happily. Older people have mystery. Love, Love, Love, Peppermint. Peppermint, Peppermint, Peppermint Love! Verse: Echo runs sound on the Pomegranate Board, Mistress of reverb, no longer ignored. Peppermint Ladies she’s loved and adored All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Bridge 3: [Don’t sing. Play instrumental instead.] Idunn’s come to travel with us (She caught a bus!) Tired of ne -ver leaving. Folks at home always keeping her safe, making a fuss. Her apples are so sweet, and they keep us young. Praises we have sung; slip a little tongue; she’s among Love, Love, Love, Peppermint. Peppermint, Peppermint, Peppermint Love! Verse: Scattering seeds on the Pomegranate Tour Niflheim Hades will love us all for sure Peppermint La-dies both wicked and demure All of us dancing and singing our songs, Mmm Peppermint Ladies, Mmm Mmm Peppermint Love! Outro: Mmm Mmm Peppermint Ladies Mmm Mmm Peppermint Love!] X2
24.
When I Grow Up (The Jessica Rabbit Song) © 2001 by Mary Crowell. VERSE When I grow up I wanna be The girl in a sequined gown With a bunny rabbit married to me. VERSE I know you think I’m just a loon, But she’s got great sex appeal -- That hair, those gams, that toon. CHORUS She’s not bad; they just draw her that way Posing and pouting her lips. She’s peeking out from under her Veronica Lake, Gloved hands resting on hips. VERSE She loves her spouse, Her bunny half. He loves her a thousand ways, But his favorite one is making her laugh. VERSE She’ll use rough means To save her man. When he heads into danger, She whacks him in the brain with a pan. CHORUS VERSE The private Dick Thought she was vile, But 'though he caught her playing patty cake He couldn’t help but admire her style. VERSE Her heart is gold (Looks like a jade.) Even then if you asked around, Roger Rabbit has got it made. CHORUS VERSE When I grow up I wanna be The girl in a sequined gown With a bunny rabbit married to me.
25.
Sonatina in C major, Op. 36, No.1 by Muzio Clementi
26.
Knitting with Twitter (Abridged) Copyright 2015 by Mary Crowell The month is September— It’s time to get sick. I’ll start a new project. Which yarn shall I pick? The self-striping wool That has given me troubles? Or cotton for dishtowels The colors of bubbles? Chorus: Knitting with twitter For this sickly Lady-O With banjo and fiddle On Pandora Radio The ping of my favorites Sings out from my phone. I’m knitting with Twitter. I’m never alone. I wish to be running Or recording a song, But sacked out in bed Is the place I belong. Circular needles And jammies for me— My raspy throat Is demanding its tea. Chorus: Knitting with twitter For this sickly Lady-O With banjo and fiddle On Pandora Radio The ping of my favorites Sings out from my phone. I’m knitting with Twitter. I’m never alone. Bridge: Twitter for rest breaks Tweet between rows Politics, Art or you Whine about printer woes Kickstart an Album, Announce all your shows Knitting with twitter Means my eyes will close, And I’ll sleep . . . So that I will get better. Chorus: Knitting with twitter For this sickly Lady-O With banjo and fiddle On Pandora Radio The ping of my favorites Sings out from my phone. I’m knitting with Twitter. I’m never alone. The sock’s almost finished; I’m reducing a row. The heel turned out pretty, And now for the toe. I’m so tired of sleeping; I’ve rested my fill. The soup’s getting tiresome, But I might be less ill. Chorus: Knitting with twitter For this sickly Lady-O With banjo and fiddle On Pandora Radio The ping of my favorites Sings out from my phone. I’m knitting with Twitter. I’m never alone.
27.
Brooke’s Construction Paper D&D Copyright 2016 by Mary Crowell Verse One C’mon get together Find an empty table. Gather at conventions. When our schedules say we’re able. OSHA Standards DISCO Turns out to be no fable. Construction paper D and D. Verse Two: Vixy’s cleric’s postal. Simon’s Chef will bellow [KHAN!!!] Tasha’s elf likes no one; Napromancer’s feeling mellow. Valolwyn has treasure Darkly’s a private fellow. Construction paper D and D. Bridge: Ask Greg and Miss Honeybee Construction Paper D and D You will roll all your dice Most of you die Some will have pie Sometimes I lie ‘bout. Chorus: Construction Paper D and D (Construction) You know that it will prob’ly be (Your destruction) Construction Paper D and D (Construction) You know that it will prob’ly be (Your destruction) Verse Three: Bring dice and some pencils-- Plus a sense of humor. Alligator costume? No that’s, just some bunny’s rumor Hail Pie Wizard’s lasers! Some may just meet their doom here. Construction paper D and D. Chorus X2 [Descant during end choruses] Whoa Oh Oh Oh! Corn golems don’t walk too slow. Whoa Oh Oh Oh! Seanan plays He Who Walks Behind Rows. Whoa Yay Eee Yay! Brooke’s gonna get you anyway. We’re playing D&D; Ask Greg and Miss Honey Bee!
28.
Uffington Copyright 2016 by Mary Crowell The white drone skirls high a-bove Uf-fing-ton sheep And a sta-tue, a sha-dow, a man. We've ad-ded our prints to the sheep's in the chalk; (We're) step-ping with care as we can. CHORUS: Oh the crows will keep a choir While they're cir-cl-ing the wind, Fly me-lis-mas of black a-gainst blue. Lose all that I say in a scarf green and gray As I stop to take pic-tures of you. It’s cold on the hill with the Uffington Horse And the sheep there are shying away. We let ourselves in; set the gate down again The wind drowning all that we say. CHORUS The wind pushes the drone above Uffington’s Horse As the man gets his focus just right. His view from above is the one that we love, His camera, a bird on its flight. CHORUS The Uf-fing-ton Horse curves be-low us ab-stract; It’s a swash and a thought of a canter. We’ve seen it today; then our car drove away And the crows fill the skies with their banter. CHORUS
29.
Skydiving Naked (What a Way to Go) Copyright 2016 by Mary Crowell Written for Soulwriters2 April prompt Sky diving naked Eating lemon cream and fudge, I swim over through the air To give you just a nudge Because you’re texting again After complaining that you are bored. Just a couple seconds more It’ll be time to pull the cord. What a way to go! What a way to go! What a way to go! What a way to go! We're rock climbing sideways While below us zombies moan. Just laughing to myself— Stopped paying on your loan. I've heard you texting again, After complaining that you are bored. Just a couple seconds more Guido and Spike won't be ignored. What a way to go! What a way to go! What a way to go! What a way to go! Bridge: We try to spend time together, But I can't seem to catch your eye. You're playing games, or you're checking the weather, I watch you searching on your phone for new apps to buy. Out dancing tangos In a treetop with some apes. Their arms are strong enough To crush our skulls like grapes. Somehow you're texting again After complaining that you are bored. Just a couple seconds more Kiki will show you you're adored. What a way to go! What a way to go! What a way to go! What a way to go!

about

This album is a collection of music Mary Crowell shared with her patrons on Patreon during the time period May 2015 to 2016. There are songs, instrumentals, improvisations, and live concerts.

credits

released June 3, 2017

Most of these were recorded by Mary Crowell in her home studio on Logic Pro 9. Two concerts: Marcon 2015 and Confluence 2015 were recorded live at those conventions by Mark Peters with the help of Em Ruggles and Roberta Slocumb.)

Amy McNally performed with Mary Crowell during the MARCON 2015 set, and Brooke Abbey performed with her on the Confluence set. W. Randy Hoffman made a cameo appearance as Roger Rabbit during Mary's last song on the Confluence set. Simon Crowell sings vocals on Zombies in June and Brooke's Construction Paper D&D.

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Mary Crowell Athens, Alabama

Mary Crowell is a singer/songwriter and piano teacher who loves mythology and playing Dungeons & Dragons.
Her Patreon is here: www.patreon.com/DrMaryCCrowell
She may be seen at science fiction and filk conventions performing and accompanying concerts on piano and occasionally clarinet.
Scattering Seeds on the Pomegranate Tour is her third solo album and is a mythic musical journey!
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